Collection edited by Eric Fischer
For alto recorder
Review in American Recorder Society magazine : "Air is a fast and virtuosic piece, chock full of extended techniques and textures. A key to many extended notational elements is provided in the preface. After a dramatic introduction (which returns as the coda), the majority of the piece employs fast, flowing figurations that intersperse muffled tones and tongue slaps with normal playing.
3 - 5 mn. Difficult
Air from geraldine dubois on Vimeo.
5 contemporary pieces for hapsichord, for students starting the instrument.Balouba 1, Sylvain KassapBallade 1 “La bleue-grise”, Patrice FouillaudRicercare, Bruno GilletRives, Olivier DejoursPetit éphémère 1, Bernard de Vienne
5 contemporary pieces for harpsichord, for intermediate players.Balouba 2, Sylvain KassapBallade 2 “La changeante”, Patrice FouillaudCinq minatures, Bruno GilletMouvement, Olivier DejoursPetit éphémère 2, Bernard de Vienne
For one flutist playing simultaneously soprano and alto recorder.
The title refers to an ancient Greek instrument made of two reed pipes.
Extended techniques are kept to a minimum in this brief work, but quarter tones are employed, for which fingerings are provided.
Concert piece for Viola da gamba.
Collection Maïa, edited by Eric Fischer
Difficult
difficult - 7mn
For Viola da Gamba
Collection Maïa, edited by Eric Fischer.
- 1) Premier duo (2 basses de viole)- 2) Les géosophiques (basse de viole solo) A. Sources B. Concordancia discordancium canonum C. Medius D. De l'abrupt E. Coda- 3) Deuxième duo (2 basses de viole)- 4) La clepsydre (Trio : 1 dessus de viole et 2 basses de viole)
Topographic Long Range has been recorder by Marianne Muller on the cd "Poeticall Musicke...Topographic Long Range", works by Tobias Hume and Eric Fischer.
For tenor recorder
Review in American Recorder Society magazine : "T'so is a slow and largely quiet meditation, in which one moves to all notes by means of gentle slides/glissandi. The result is modal melodic line with an oozing character. Multiphonics are called for in several places, but the specific choice is left up to the performer"
